The Bowery Presents
Holy Ship! 8.0

Holy Ship! 8.0

Justice (DJ Set), Boys Noize, Knife Party, Major Lazer, Diplo, A-Trak, Skream & Benga, Busy P, Jack Beats, Zedd, Crookers, 12th Planet, Dillon Francis, Much Much More!

Fri, January 4, 2013 - Mon, January 7, 2013

1:00 pm

MSC Poesia

Fort Lauderdale, FL

$549 - $1400

This event is 21 and over

Ft. Lauderdale, FL | Nassau, Bahamas | Private Island, Bahamas

Holy Ship! 8.0
Holy Ship! 8.0
Please visit http://holyship.com/ for information on rooms and booking!
Justice (DJ Set)
Justice (DJ Set)
JUSTICE, The French duo formed by Gaspard Augé and Xavier de Rosnay, is the band of a whole generation. When the two friends were still bright students in graphic design, in 2003 they made JUSTICE a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. They met Pedro Winter who had just founded his label ED BANGER RECORDS, he immediately signs them after listening to “We Are Your Friends” which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor. It was awarded an MTV Video Award in 2007, bringing about the famous live TV appearance with Kanye West outraged that his million $ clip was outclassed by a home-made bomb. (Once the misunderstanding was cleared up, Justice, Ed Banger and So_Me became a constant source of inspiration for Kanye and his superstar rappers colleagues. Kanye even employed So-Me as director for the video for his hit song “Good Life”), Jay Z will use D.A.N.C.E for his next album. From now on, the duo’s ascent was constant and then lightning struck: remixes for N.E.R.D, Britney Spears, Franz Ferdinand, U2, Daft Punk, Lenny Kravitz and an EP in 2006 (« Waters Of Nazareth ») defining the “Justice sound”, this famous ultra-powerful compression of pop and baroque melodies, both dark and threatening; lightning and animative; and above all the famous Justice image, the cross from which an earlier version figures on the first EP. 2007 was the explosion that will turn the duo into the emblem of a whole generation: their first album "†", anticipated like the Messiah, holds all the promises, and swept everything away as an epic soundtrack. "†" is more than a magnificent synthesis of our time: its potential definition. 800 000 sales worldwide and 4 years later, the album is considered as a mainstay of the 2000s puzzled and tonic, one of the few who bridged the gap from Pitchfork world to MTV without losing its credibility.
Boys Noize
Alex Ridha – better known to the world as BOYS NOIZE – has been making electronic music and working as a DJ for over half of his life.

He established himself as one of the world’s preeminent wizards behind the decks, having played the world’s biggest stages alongside the biggest names in dance music.

His sets are equally uplifting, not only technically but also as a showman, leaving unforgettable experiences for the witnesses. One of the reasons why the Rolling Stone voted BOYS NOIZE amongst the Top10 `DJS WHO RULE THE EARTH` in 2012.

As a recording artist and producer, Ridha has created his own sound, and pioneered his own brand, amassing a formidable body of work in the process.

He has released three albums (2007’s Oi Oi Oi , 2009’s Power and 2012´s Out Of The Black) and countless singles as BOYS NOIZE, as well as doing profoundly influential work as a remixer and producer for everyone from Depeche Mode, Daft Punk, Feist, David Lynch to Jarvis Cocker, Santigold, Scissor Sisters and Chilly Gonzales.

He has collaborated with Snoop Dogg, genius film maker Mr. Oizo (on a project called Handbraekes), Erol Alkan, and most recently Skrillex (under the moniker of Dog Blood) and won Beatport’s ‘Best Electronic Act’ 3 years in a row.

Ridha is also the heart of Boysnoize Records, the label that he started back in 2005. Founded originally as a means to get his own music out into the world, Boysnoize Rec.—and it’s sub-label, BNR Trax—is now home to more than a dozen artists (including up-and-comers like 18-year old SCNTST, Le1f, Spank Rock, Strip Steve, Peaches and Siriusmo) and responsible for over 100 releases while remaining fully independent.

“I don´t compromise when it comes to music,” says Ridha. “I do what I think is cool and what I like and not what the market wants or people may expect. Maintaining artistic freedom has always been the most important thing to me — for my own music and for anyone on my label”

Despite his ever-expanding label roster and the increased demand for his time as a producer and remixer, Ridha’s primary loves continue to be the twin pursuits of making and performing music.

Following the release of his third long-player Out Of The Black in late 2012, he presented the first BOYS NOIZE ‘LIVE’ show to the masses.

“I really wanted to give people a concert where I perform my music only. It´s not that I don´t like DJing anymore, I´m a DJ to the bone and will always be. But playing my tracks live and putting on a completely new show was something I wanted to do for a long time. It´s different and fresh and that is what I love.”
Major Lazer
Major Lazer
Major Lazer is a Jamaican commando who lost his arm in the secret Zombie War of 1984. The US military rescued him and repurposed experimental lazers as prosthetic limbs. Since then Major Lazer has been a hired renegade soldier for a rogue government operating in secrecy underneath the watch of M5 and the CIA. His cover is that of a dancehall night club owner from Trinidad and he enlisted the help of long-time allies and uber-producers, Diplo and Switch, to produce his first LP. His true mission is to protect the world from the dark forces of evil that live just under the surface of a civilized society. He fights vampires and various monsters, parties hard, and has a rocket powered skateboard.

As part of a plan to subdue the forces of evil with a batch of futuristic dancehall bangers, the three encamped at Tuff Gong Studios in Jamaica to record the Major Lazer record. The product of this collaboration is Guns Don't Kill People… Lazers Do, a collection of tracks that draws from the rich dancehall tradition of Jamaica, the futuristic dance-floor-killing aesthetic of Diplo and Switch, and contributions from some of the biggest names in dancehall today. The record runs global pop culture through the filter of Major Lazer's particular brand of 80's-inspired digital dancehall, at once an homage to a bygone era and a look to the future of dance music.

Diplo (Philadelphia-based DJ and producer Wesley Pentz), incorporates such disparate influences as Miami Bass and Baile Funk into the high-tech ecclecticism of his productions. Known for his forward-thinking productions for MIA, Bonde Do Role and many others, and for the solo LP of cinematic, sample-based hip hop entitled Florida he recorded for the Ninja Tune imprint. Diplo is also the founder and owner of Mad Decent records, which has put out records by DJ Blaqstarr and Bonde do Role.

Switch (the pseudonym of British producer and DJ Dave Taylor) is the owner of one of the most progressive and respected underground dance music labels around, Dubsided. His work as producer is revered by critics, emulated by his fellow DJs, and sweated hard by dance floors on both sides of the Atlantic. Switch also permanently endeared himself to the bespectacled music cogniscenti with his contribution to Santigold's critically acclaimed self-titled debut.

Guns Don't Kill People… Lazers Do
Diplo
Diplo
Known internationally as a curator amongst the world's most cutting edge DJs, producers, and musical movements Wesley Pentz (better known as DIPLO) has experienced a variety of successes. The last few years have been spent running through the club circuit and having chart-topping hits with refreshing irreverence. Born in Tupelo, Mississippi, in 1978, Pentz spent most his childhood in Florida working in his fathers bait shop and being turned onto music through then new mediums like MTV. Drifting North through the state came Miami Bass and from the West came the sounds of Southern hip-hop artists. The musical influence and variety coalesced, and at 18, Pentz moved to Philadelphia for college at Temple University to study Film & Music. While a student he took a job in the South Philadephia community as a social worker and created the influential Hollertronix club night, which was the beginning of his fledgling career as DIPLO.

In 2004 Pentz released his debut album as Diplo called, Florida. It received praise and accolades in the underground community. The music embodied on this album led to an introduction via an A&R man at XL Records to M.I.A. In 2004 he partnered with M.I.A. for the mixtape Piracy Funds Terrorism. Pentz's cultural impact had started to snowball. Together they worked on her first album Arular and much of her second Kala, including the 2008 mega-hit "Paper Planes," which reached No. 3 in the US Charts and earned him a Grammy nomination for Record of the Year. His production credits have evolved since to include Santigold, Lil' Jon and Missy Elliot, while remixing works by Beck, Radiohead, Britney Spears and countless others. In 2009 Pentz teamed with frequent collaborator Dave Taylor (aka Switch) to release the futuristic dancehall album Guns Don't Kill People… Lazers Do under the guise of Major Lazer, a Jamaican militant at war with an evil army of zombies, mummies and vampires.

Meanwhile, his record label Mad Decent has helped to introduce Brazilian baile funk, Angolan Kuduro and other marginalized music to clubs around the world, developing as a trendsetting force with which to be reckoned. With the same mission in mind, some of the varied acts Pentz has signed or produced include Rye Rye, Bonde do Role, Crookers, Blaqstarr, Boy 8-Bit, Buraka Som Systema, and Rusko, allowing Mad Decent to act as a launching pad or home base for many others while spreading its influence across the globe. Through the label, Pentz has founded a charity called Heaps Decent as a social relief program to help children in Australia as well as with additional efforts internationally. In early 2009 Pentz debuted his film Favela on Blast, a five-years-in-the-making documentary exploring the Brazilian slum favelas of Rio de Janeiro and the thriving baile funk music scene that exists within. He is currently developing a TV show.

Through a widespread assortment of releases and artists' works – from cumbia to dubstep to punk and beyond – Diplo has shown dynamic range with interests that span far beyond any singular culture or musical realm, standing as a working model for the truly 21st Century artist.
A-Trak
A-Trak
At a time when the DJ sits firmly at the center of popular culture, A-Trak stands out as MVP, the key participant who holds together all facets of the craft. Very few share his mastery of turntablism while also sitting at the forefront of musical innovation, looking keenly to the future with history tucked in his back pocket. A true connector, Trizzy hops effortlessly from colossal festival stages to sold-out concert venues and sweaty underground clubs, building links between hip hop and electronic music while watching genre barriers crumble.

After spending years as Kanye West’s tour DJ and consigliere, he founded the celebrated record label Fool’s Gold in 2007 and developed the careers of artists such as Kid Cudi, Danny Brown and Flosstradamus. With its string of releases and parties, Fool’s Gold broke down bygone rules of the record industry, paving the way for a new wave of independents and helping to make North American electro a dominating force. As a Grammy-nominated producer, A-Trak’s seminal mix of the Yeah Yeah Yeahs’ “Heads Will Roll” marked an entire generation’s introduction to dance music. Duck Sauce, his irreverent collaboration with Armand Van Helden, flipped the bird to chart-topping formulas and reached #1 in 12 countries with the ubiquitous “Barbra Streisand”, electronic music’s first true viral music video. A-Trak easily segues from working with EDM’s elite to revitalizing rap superheroes, launching Federal Reserve with Cam’ron and Low Pros with Lex Luger. He casually picked up 3 VMA nominations along the way.

Not bad for a kid from Montreal who was once known as a 90’s turntable prodigy. As a teenager, he brought home every DJ title known to man, starting with the 1997 DMC World Championships and holding a record-breaking 5 titles by the time he was 18. Meanwhile, as his older brother Dave morphed into the lead-singing lothario in the acclaimed electro-pop sensation Chromeo, Alain grew from a nerdy teen who created an elaborate scratch notation system to a bona fide style icon and one of the most recognizable figures in the DJ scene. He recently appeared in campaigns for Adidas, Grey Goose and Cadillac and graced the covers of Billboard and Complex. Based in New York for close to 10 years now, A-Trak’s interest in the lifestyle of his generation has certainly made its mark. As one of the first blogging DJs, he now regularly contributes to the Huffington Post and owns the travel website Infinite Legroom. Through Fool’s Gold, he cemented his reputation as a cultural curator: the label’s legendary events – most notably the Day Off series – are like a knighting ceremony for new talent; FG has its own clothing line and a Brooklyn storefront which doubles as an art gallery. It’s the accumulation of these projects that defines who A-Trak is. With this sort of breadth to his resumé, it’s no surprise that Rolling Stone named him one of the 50 Most Important People in EDM. Currently focusing on more solo recordings, the ever-young Trizzy continues to write new chapters in his storied career.
Skream & Benga
Skream & Benga
SKREAM

Ollie Jones had the good fortune to be working at the Big Apple record store when he first started making beats at age 15 and armed with a cracked copy of the Fruity Loops music-making software. Big Apple was at the center of the early development of U.K. garage's dark, half-speed offshoot dubstep before it was even called dubstep, and it was at Big Apple that Jones, who recorded as Skream, met fellow beatsmiths Benga and Hatcha. Hatcha was a DJ at the seminal club Forward and was only too happy to debut the dubplates of both Skream and Benga's early recordings. Their music took the tension and release formula of dance music, removed the release and layered in more tension instead. With slow and pounding basslines and wobbly treble they were creating a kind of music that summoned and summed up feelings of urban paranoia, but in an enjoyable way. Emphasizing the sub-bass made them popular with clubbers, but they were also popular with bloggers. Championed and spread by word of mouth on the Internet Skream went straight from being a name in Croydon to being known around the world. When the owner of Big Apple founded a label to give a home to the albums of dubstep artists, Skream was one of those who released material on it, including his breakout classic track "Midnight Request Line." His first full-length album, Skream!, was released in 2006 on the Tempa label.

http://www.myspace.com/skreamuk
https://www.facebook.com/skream

BENGA

One of the major names in the world of dubstep, producer Benga was born Beni Uthman in East London. His parents eventually moved to the suburb of Croydon, where a young Benga would fiddle with his radio every night, looking for pirate radio stations and taking in all sorts of fringe music. He first began making tracks on his PlayStation game system, then graduated to digital audio workstation Fruity Loops when his parents bought him a computer. Hearing the dark work of 2-step producer Wookie inspired him to join part of the grime/garage scene that would eventually evolve into dubstep. Hanging out at the Big Apple Records store in Croydon introduced him to fellow dubstep producer Skream. When the store began its own label, Benga released his debut 12", "Skank," in late 2002. A co-production with Skream called "The Judgement" appeared on Big Apple in early 2003, and then Benga began his own label -- Benga Beats -- and released the three-track 12" Benga Beats, Vol. 1 in 2004. A couple 12"s for the Planet Mu label landed before Benga Beats released his full-length debut, Newstep, in 2006. By now radio DJs and tastemakers like Mary Anne Hobbs and François K were singing his praises, putting Benga in the company of dubstep's favorite, Burial. In 2007 he moved to the Tempa label and issued the singles "Crunked Up" and "Night," the latter a collaboration with Coki. Both tracks ended up on his 2008 album, Diary of an Afro Warrior.

http://www.myspace.com/bengabeats
https://www.facebook.com/iambenga
Busy P
Busy P
Ten years after Daft Punk announced the arrival of French Touch – the invasion of mainly beat-led and sometimes filtered electronic music that spawned hits for everyone from Air to Zdar – a new wave of music is making Paris a hotbed of creation. The face behind this French revolution is Pedro Winter.
Jack Beats
Jack Beats
Jack Beats are a multiple award winning DJ duo made up of Niall Dailly (DJ Plus One of Scratch Perverts fame) and Ben Geffin (The Mixologists). They have had an immediate and profound effect on the club scene since teaming up in 2007; producing transcendent remixes for La Roux, Passion Pit and Florence & The Machine amongst others and releasing their genre bending ‘U.F.O’ EP on Hervé’s Cheap Thrills Records.
Citing influences as diverse as Timbaland, Rage Against the Machine, A Guy Called Gerald and Sebastian, the two began to hone a style fusing House, Hip Hop and Dubstep with Electro and Drum & Bass… what emerged was a cutting edge sound. The duo demanded immediate attention after their gob-smacking take on Boy 8-Bit’s anthem ‘Fogbank’ dropped in early 2008 followed by refixes of Trip’s guitar-driven ‘Who’s That?’ and the now classic AC Slater remix.

Support from major industry players Annie Mac, Diplo, A-Trak, Zane Lowe and the Crookers plus the whole of blog-land. Clubbers seem particularly keen as well with the duo playing at all the major clubs and festivals across the world including a Fabric residency and recently playing to 80,000 clubbers in LA on NYE 2010. They have just released ‘All Night’ on Deconstruction/Columbia and will soon be embarking on their first set of dates for their spectacular new live production.
Zedd
Zedd
Zedd, being born into a family of musicians, began playing the piano at the age of four. After sevreal years of learning to master the piano, Anton began playing the drums in a band, and composed and produced numerous rocksongs in his band's own studio. In 2009 he began producing electronic clubmusic, to much and quick acclaim. After a peroid of only few months he attained a remarkable level and participated in Beatport's "Armand Van Helden / Strictly Rhythm Remix Contest", which he went on to win. This opened up a number of new possibilities for Zedd, and only shortly after, he won his second contest on Beatport, the "Fatboy Slim / Skint Remix Contest"! This was the foundation for several cooperations with artists such as Black Eyed Peas, Lady Gaga, P. Diddy, Skrillex, Fatboy Slim, Armand Van Helden and labels like mau5trap, Interscope, Atlantic, Strictly Rhythm or Skint Records. His first release "The Anthem" entered the Beatport charts top 20, and even made it to the second place of Track It Down charts. His remix for Skrillex' 'Scary Monsters And Nice Sprites', released on 'mau5trap recordings' climbed up the charts to #4 on Beatport and #2 on Beatport's Electro House charts. One of the reasons for this rapid development is undoubtedly Zedd's unique and highly recognizable style of composition. It stands out as very detailed and carefully produced Electro House, very playful and the same time remarkably catchy. Zedd is definitely an artist to look out for in the future...
Crookers
Crookers
Phra and Bot aka Crookers, The first born and raised in Omegna, a picturesque town of Lake Orta, the second in Milan. Together they are the young italian duo who, for some years now, have been travelling on and on in every continent known to man, setting dance floors and millions of people’s eardrums on fire.
Let’s take a step backward: In 2007 the first overpowering mixtape signed Crookers emerges from the lake’s darkness: A deep house and rap based experiment that brakes every sound barrier, slipping into genius.
This first challenge doesn’t pass unnoticed and throws the duo out to an endless series of guesting in the best italian and european underground clubs. From the beginning, their style is characterized by an apparently impossibile but fully functional musical constellation: street style, rap, house, fidget and trance.
In 2008 Crookers’ range choice goes off with "Day 'n' Nite", a remix of, at the time unknown, Kid Cudi. The hit enters the U.K. charts at 2# (giving way to Lady Gaga) and guarantees Crookers a place in world’s dance Hall of Fame.
They are asked to remix for Armand Van Helden and Chemical Brothers, who state, "The Italians are something to look out for". Praises from Black Eyed Peas’ Will I Am and Norman Cook, otherwise known as Fat Boy Slim, will soon be added to those of the two londoner fake brothers. Hereafter it’s a non stop rising. Interscopes Jimmy Iovine (on his son’s request, a fierce fan of the duo) asks them to remix U2, followed by Britney Spears and Lady Gaga & Beyonce who just want Crookers to lay a hand on "Telephone".
Finally in 2010 the album, "Tons of Friends". As the title recites it summons up Crookers’ friends: Kelis, Wil I Am, Roisin Murphy, Soul Wax, Major Lazer, Sepultura’s Igor Cavalera, Rye Rye and many others. Once again Crookers mix at every musical latitude passing through house, dubstep, reggae, rap and melodic grime. "Tons of Friends" takes rap and centrifuges it with Crookers’s distinctive filter, achieving to hit both american hip-hop standard-educated ears and those looking for a cutting-edge and electronic sound (i.e. the dubstep track sang by Kelis). To quote Rye Rye herself in "Hip Hop Changed": They say hip hop changed, but you know we still talk that language / it's just another twist in the shit that we bring / hip hop saved my life so I framed it. Crookers make no compromises but can carry away the most popular names of today’s musical landscape to the dephts of the underground sound. This way they clear "the eternal fight between commercial music and making sense music" (Marcus Downling - TGRI, Mishka Blogin). 20 tracks, 25 guests. Crookers do have tons of friends.
12th Planet
12th Planet
Like the mythological 12th Planet (popularized by controversial author Zecharia Sitchin), our 12th Planet flies perpendicular to the system. His beats are off axis and his subsonic frequencies send you into your own orbit. America's first king of dubstep is ready for impact.
Dillon Francis
Dillon Francis
I'm Dillon Francis, I’m from Los Angeles and I’m 24 years old.

If you want to know more about me you can follow me @DILLONFRANCIS or go to Facebook or my Tumblr 666fuckingdie.tumblr.com.

I probably won’t do an interview or photo shoot but here is an amazing picture of a cat. http://instagr.am/p/ZIgPg/

I love the Internet and pissing off your Mom and Dad (especially if they’re hippies).

Love You.

Dillon Francis is a Los Angeles-based electronic music producer and D.J. A pioneer in the moombahton genre of (110 bpm fame), Francis first signed with Mad Decent, releasing his first official EP, Westside, in early 2011. His dancehall ‘Westside’ and ‘Masta Blasta’ became an underground sensation amongst the electronic dance community. Francis has continued on to collaborate and remix artists including Steve Aoki, Calvin Harris, Diplo, A-Trak, Zedd, Madeon, Flux Pavilion, Jack Beats, Digitalism, Chuckie, Kill The Noise amongst others. His latest EP, Something Something Awesome, was released in February 2012 through Skrillex’s label OSWLA. Francis continues to play international festivals and is currently on his first US headline tour w/ Flosstradamus, Baauer, and RL Grime.
Venue Information:
MSC Poesia
Fort Lauderdale
Fort Lauderdale, FL
http://www.msccruisesusa.com/us_en/Ships/MSC-Poesia.aspx