The Bowery Presents
Kip Moore

Thunder 106 Presents

Kip Moore

Seth Ennis

Thu, May 18, 2017

Doors: 7:00 pm / Show: 7:00 pm

Starland Ballroom

Sayreville, NJ

$39.50 ADV/$40.00 DOS

This event is all ages

Kip Moore
Kip Moore
Over the last couple of years, Kip Moore spent most of his time on the road, building one of country music's most loyal audiences show by show and plotting what would become his sophomore album, Wild Ones. He was a road warrior, living out of a tour bus with his bandmates and playing more than 200 shows per year. For a songwriter who'd grown up in a quiet pocket of southern Georgia, performing to crowds across the world — crowds that knew every word to his best-selling debut album, Up All Night — felt like a dream come true.

Somewhere along the way, though, the highway became a lonely place. The routine was always the same: pull into town, play a show, pack up and leave. There was no stability, no comfort. Things weren't much easier at home in Nashville, where Moore —whose first album had sent three songs to the top of the country charts, including "Beer Money" and "Hey Pretty Girl" —found himself receiving plenty of unsolicited advice from people who wanted to keep the hits coming…at any cost.

"Once you start having a little bit of success," he says, "all of a sudden, there's a lot of opinions about who you should be, what you should be doing, how it should be marketed. A lot of those opinions are great, but Wild Ones was influenced by me saying, 'This is just who I am. I'm not gonna do what other people are doing. I'm not chasing a trend. I'm gonna do the kind of music I wanna do, and the kind of music I think my fans wanna hear, and that's the end of the story.'"

From amphitheater tours with Dierks Bentley to his own headlining tours across America, Moore has spent the last three years learning what, exactly, his fans want to hear. He's a genuine road warrior, armed with a live show that mixes the bombast and wild desperation of Bruce Springsteen with the rootsy stomp of Merle Haggard. It's a sound built on space and swagger. A sound that bangs as hard as it twangs. A sound caught somewhere between blue-collar country music and stadium-sized rock & roll. And that's the sound that Moore's fans, who've already catapulted him to PLATINUM-selling heights, want to hear.

When it came time to create new music for his second album, Wild Ones, Moore didn't have to look very far for inspiration. He just took a look around, taking stock of the world as it flew by his bus window at highway speed.

"Everything that's taken place over the last two years —this traveling circus, these shows, the band, the toll that the road can take on you but also the exuberance it can bring —it all inspired the record," he explains. "It's a record about what we've gone through, and I wanted the music to match the intensity of what we do every night onstage. We never go through the motions, no matter how tired and exhausted we are."

Moore wrote or co-wrote all of Wild Ones' thirteen tracks, often teaming up with songwriters like Dan Couch or Weston Davis. More than a few songs were born on the road, where Moore found himself coming up with new ones during soundchecks, inside backstage dressing rooms, and in his bunk at night. He'd arrange the songs, too, coming up with bass parts, guitar licks and drum patterns in addition to the melodies. Sometimes, he'd write some lyrics, scrap them, then write a completely different set. The emphasis wasn't on creating the largest catalog of songs in the shortest time possible; it was on funneling the feeling of a Kip Moore concert into a single album, no matter how much time it took.

Driven forward by electric guitars and gang vocals, "Lipstick" is the album's most heartfelt tribute to the road, with each verse rattling off a list of the favorite cities Moore and his bandmates have played in the past. Other songs, like "That Was Us," take a look backward, sketching a picture of the archetypal small-town Saturday nights that filled Moore's teenage years in Georgia. "Magic," anchored by one of the anthemic, open-armed choruses of Moore's career, is loud and lovely, and "Comeback Kid" packs its punch the opposite way: by dialing back the volume and delivering quiet praise to the underdog in all of us.

Befitting an album that was largely inspired by —and written on — the road, Moore recorded Wild Ones during quick breaks in his touring schedule. He'd book one or two days of studio time, then hit the road for three months, then return to Nashville and book more sessions. Gradually, the album started to take shape. Brett James, his longtime friend and ally, co-produced the project.

"We created a lot of space in this record," Moore says proudly. "It's not a bunch of people playing all over the place. We tracked a lot of the record with just a three-piece band. If you go to most Nashville recording sessions, there's gonna be six or seven people in the room. But we recorded this one with less people, just to allow the fans to actually listen to what's going on. It makes everything sound bigger." "Big." Perhaps that's the best description for Wild Ones, a super-sized record inspired by the grit, grind, and glamour of the live shows that have helped make Moore a country favorite. For Moore, going big was the only option.

"I've always felt like the guy whose cards are stacked against him," he says. "I've always been the underdog, but I also say, 'You can count me out for a minute, but don't think I'll stay down for very long.'”
Seth Ennis
Seth Ennis' journey to finding his place in country music is much like the winding dirt road in Valdosta, GA that he and most of his family members grew up on. It turns suddenly, unexpectedly, but then it eventually opens up to a place to call home. After spending much of his life exploring various musical styles, Seth is glad to have found his home in country music. "It was always around me and I never knew it," he says, "It's the music I was made for."

Challenges are nothing new for Seth Ennis. As a young child, Seth was in a tragic accident in which he was run over by a van and nearly killed. After almost being crushed under the weight of the vehicle, Seth fought for survival and continues to fight to get the most out of each and every day, knowing how precious and fragile life is. As an emerging artist from Valdosta, GA, Seth has learned to embrace the challenges in his pursuit of becoming one of the next great country stars. Seth is also no stranger to the difficulties of being on the road and away from home. As the middle child of a military family, Seth spent the majority of his young life living all over the world experiencing new cultures while also balancing just being a kid from south Georgia.

Seth's love for music began at an early age when his grandfather would carry him to Bluegrass festivals across the southeast. "My Papa was the first to show me the gift of music. I would watch him play the dobro for hours and be amazed at how it made me feel," says Seth. At age 5, Seth began taking piano lessons and over the next several years he would also pick up the drums, guitar, and eventually began singing. At 13, Seth began writing songs. "Songwriting was a game-changer for me," claims Seth, "once I began creating my own music and performing it for other people, I didn't want to do anything else." Seth continues to pride himself in the fight to consistently produce great original music.

After touring as a multi-instrumentalist for several acts, including Universal recording artist Rissi Palmer, Seth decided to take center stage. Seth now calls Nashville, TN his home and hopes to continue embracing the challenges and earn his place in the hearts of country music fans around the world.
Venue Information:
Starland Ballroom
570 Jernee Mill Road
Sayreville, NJ, 08872
http://www.starlandballroom.com/