The Bowery Presents
Ty Segall

Ty Segall

Mac DeMarco, Ex-Cult, DJ Jonathan Toubin

Fri, February 1, 2013

Doors: 6:00 pm / Show: 7:00 pm

Webster Hall

New York, NY

$16 advance / $18 day of show

Sold Out

This event is 18 and over

Ty Segall
Ty Segall
THE SEGALL HAS LANDED. And it’s fully loaded with everything that Ty Segall (and you and me) are gonna need in the world to come. Sticking his hand deeper into the machines all around him, Ty is reaching ever further to the outer limits of inner space orbited throughout Twins and Sleeper. And now more than ever, the chunks of the world that came before are like asteroids formed in his image, picking up speed. Still fighting the power with all the energy that a determined mind-patriot can conjure, Ty’s a fighter who loves, a surfer, a spaceman, and yeah, a casualty – like you, he’ll never be free. But unlike you, he knows it – and when he goes down and his head cracks in two, out pour the multi-colored manias that make up Manipulator. Sour-sweet declarations featuring freaks and creeps alike: “The Singer,” “The Faker,” “Mister Main,” “Susie Thumb,” the “Connection Man,” and “The Crawler,” to name but a mutant fistful.

To see these peeps, to realize their dreams and visions, Ty kept
working, kept writing, laying down more tracks than ever. New musical expressions pop and surprise relentlessly throughout all the knockout tunes of Manipulator which feature Ty’s helium-cooled vocals, sounding more powerful and dynamic than ever, and many sounds in the mix, but most of all, SO many guitars! Strangled-neck solos recalling the good old days down by the river with Neil, numbed-and-unplugged discursions, three-quarter quartets raising their din in a few key places, waves of sparkling acoustics with ominous, Love-ly undertones – and then, torrents of filthy git-grunge, exploding into the chorus, washing everything away, fusing the blackness of Sabbath with the grime and grab-ass of the Stooges and the sweet swinging tones of the Stones. All in the name of getting higher on the music. Why have one guitar solo when you can have a few in the same space? There’s so little time, and a LOT to say.

Ty Segall’s Manipulator is out August 26th on Drag City. Catch Ty and band — Mikal Cronin (bass), Charlie Moothart (guitar), Emily Rose Epstein (drums) — all over the country beginning the week of
Manipulator’s release!
Mac DeMarco
Mac DeMarco
“As I’m getting older, chip up on my shoulder…” is the opening line from Mac DeMarco’s second full-length LP Salad Days, the follow up to 2012’s lauded Mac DeMarco 2. Amongst that familiar croon and lilting guitar, that initial line from the title track sets the tone for an LP of a maturing singer/songwriter/producer. Someone strangely self-aware of the positives and negatives of their current situation at the ripe old age of 24.

Written and recorded around a relentless touring schedule, Salad Days gives the listener a very personal insight into what it’s all about to be Mac amidst the craziness of a rising career in a very public format. The lead single, “Passing Out Pieces,” set to huge overdriven organ chords, contains lines like “…never been reluctant to share, passing out pieces of me…” Clearly, this isn’t the same record that breezily gave us “Dreamin” and “Ode to Viceroy,” but the result of what comes from their success. “Chamber of Reflection,” a track featuring icy synth stabs and soulful crooning, wouldn’t be out of place on a fantasy Shuggie Otis and Prince collaboration. Standout tracks like these show Mac’s widening sound, whether insights into future directions or even just welcome one-off forays into new territory.

Still, this is musically, lyrically and melodically good old Mac DeMarco, through and through. The crisp John Lennon/Phil Spector era homegrown lush production that could have come off Geoff Emerick’s mixing board in 1972 with that peculiar Mac touch that’s completely right now is still present. “Brother,” a complete future classic, is Mac at his most soulful and easygoing but with that distinct weirdness and bite that can only come from Mr. DeMarco. “Treat Her Better” is rife with Mac-isms, heavily chorused slinky lead guitar, swooning vocal melodies, effortless chords that come along only after years of effort, and the other elements seriously lacking in independent music: sentiment and heartfelt sincerity.

We’re only in Part 2 1/2 (one EP and two LP’s in) of Mac’s career. As you read this and as you hear the album on April Fool’s Day of this year, he’ll probably be on tour, or preparing for one… or maybe already writing new music. A relentless work ethic is something to be admired in today’s indie music scene, but when it’s of the quality Mac is giving us time and time again, it starts to turn from admiration to awe.
Ex-Cult
Ex-Cult
Taking cues from the psychedelic noise of the 1960’s, the art-damaged post-punk of the late 1970’s, and the aggression and immediacy of early 1980’s US Hardcore, Ex-Cult has curated a sound that audiences nationwide find accessible, yet not quite like anything else they’ve heard.

Conceived at the legendary Memphis dive, the Lamplighter, by longtime friends Michael Peery (drums) and Chris Shaw (vocals), the band played their first show three months after the first practice, immediately gaining a local fan base and grabbing the attention of the Memphis punk institution known as Goner Records.

After going through a name change (from Sex Cult to Ex-Cult) and releasing a couple of now impossible to find singles, Ex-Cult headed to San Francisco to record with producer and fan Ty Segall. The result is a post-punk juggernaut, oozing with flying saucer fuzz guitar, a pummeling rhythm section, and snarling vocals. Ex-Cult heads out on their first US tour this January supporting Ty Segall, with plans to release a handful of records in 2013 already in the works.
DJ Jonathan Toubin
DJ Jonathan Toubin
On a random Saturday in a random club in a random city, you will find Jonathan Toubin behind two turntables, effortlessly transitioning between roughly a hundred records that no one in the room has previously heard, but everyone loves. The room is a cavern of sweaty, undulating limbs, dancing vigorously to hours of Toubin’s raw and exquisite 1960s soul and R&B 45s. We could be in Brooklyn. Or Los Angeles. Or London. Or Gambier, Ohio. Or Sao Paulo, Brazil.

Drawn to analog sound, raw blues-based post-war rock and soul, uncommon flaming tracks, and the physical craftsmanship of spinning records, Toubin and his parties stand in direct opposition to the slick pop mp3s that dominate contemporary nightlife. Nonetheless, this underdog DJ and his uniquely fun alternative to the usual regularly appear at major festivals, major rock concerts, upscale hotels, at ivy league colleges, and other surprising places worldwide.

Despite these increasingly prestigious gigs, Jonathan Toubin remains best known as the DJ, producer, and mastermind of the legendary underground New York Night Train parties that shattered the face of nightlife in Brooklyn in the 2000s and inspired new night culture everywhere. In only eight years, Toubin has spent over 1,800 nights throwing and/or spinning parties around the globe: early rock and roll hops, Exploding Plastic Inevitable-inspired Happenings, instructional multimedia dance craze get-downs, 1960s foreign language discotheques, juke joint blues dances, punk and rock bar nights, seedy illegal after hours, all-ages warehouse jams, and elaborate haunted houses. Though the parties typically feature only Toubin and sometimes his guest DJs, they also often include visuals, décor, performance art, go go dancers, live performances by acts like Mac DeMarco, Thee Oh Sees, and Charles Bradley, and… in the case of the world’s most popular soul party, the New York Night Train Soul Clap and Dance-Off,… dance contests!

Jonathan Toubin conceived New York Night Train as a web site and record label focused on the work of his friend and hero Kid Congo Powers (Cramps, Gun Club, Nick Cave and the Bad Seeds, etc). The first NYNT parties were record release and SXSW parties for the label’s acts. He threw his first two dance parties for Ian Svenonius (Make-Up) and Calvin Johnson (Beat Happening) at their request. These events resulted in a DJ invitation from a bartender friend at the Lower East Side’s Motor City Bar. While he meant only one Wednesday, Toubin thought they asked him to do a weekly party! The packed-out nights did so well that the legendary rock bar kept him onboard permanently – for over 250 nights until its closure. Within a few months Toubin had more gig requests than he could play, began spinning dance parties, and quit his day jobs. 2007 saw the introduction of larger more elaborate shindigs like the monthly Soul Clap and Dance-Off and Happenings at Glasslands Gallery. By 2008 New York Night Train was a nightly party – boasting an unprecedented six weekly DJ residencies at six venues, presenting at least a couple of rock shows a week, and hitting the road for the first time. In 2009 Panache Booking began taking the Claps and Happenings into an international arena where no 45 DJ party has gone before.

On December 8, 2011, near the conclusion of the Jonathan Toubin’s most prolific year to date, the DJ’s life nearly ended when a runaway cab crashed through his Portland, Oregon hotel room and crushed him in bed. Thanks to good luck, good doctors, hard work, and benefits across the United States with Yeah Yeah Yeahs, Margaret Cho, Ty Segall, and dozens of others, by mid-2012 Toubin tip-toed back into life and to work. He has since managed to not only reclaim his DJ skills and rebuild his nightlife empire – but also to surpass his past work on nearly every level. The last couple of years have found the Toubin and the Clap in venues around the US, Europe, South America, and Australia and at dozens of major festivals everywhere – including SXSW (where it is the only dance party with its own official night – annually!), Bonnaroo, Pitchfork, Fun Fun Fun, and even Lincoln Center’s Midsummer Night Swing even devoted an entire evening to Toubin and his Clap!

The dawn of 2015 finds Jonathan Toubin at his capacity weekly downtown institution Shakin’ All Over Under Sideways Down at Home Sweet Home, the Soul Clap and Dance-Off monthly at Brooklyn Bowl, and regularly touring worldwide. Burger Records released two of his mixes and Norton Records is currently releasing his first two vinyl comps – Souvenirs of the Soul Clap Vol 1 and 2. All aboard the night train!

“Jonathan is pretty much the only DJ we actually like.” —VICE Magazine, 2014

“Jonathan Toubin is New York rock and soul DJ who plays his collection of original 45rpm records to packed dance floors all over the world.” —Outlook, BBC World Service, 2014

“The long-running Soul Clap remains one of the sweatiest dance parties to be experienced in New York City. Fueled by his rare and raucous 45s collection, DJ Jonathan Toubin draws on raw soul and the most feral strains of rock ‘n’ roll from the early 1960s to power the nights.” —Wall Street Journal, 2014

“The world’s PREMIER soul DJ – on 45, no less – no party is complete without a little Toubin.” —MTV.com’s Bonarroo Festival preview, 2014

“Particularly chic… one of the most popular spinners in Williamsburg and the founder of the New York Night Train dance parties. His fare is already cleaner and more appreciative of American pop music history than much of the rest…” —NY Times, 2013

“The most-liked man in the soul music scene” —Rolling Stone, 2012
Venue Information:
Webster Hall
125 East 11th Street
New York, NY, 10003
http://www.websterhall.com/