The Soul Rebels
with special guests conga star Pedrito Martinez, Maurice Brown, and Res, The Slide Brothers
Fri, February 15, 2013
Doors: 6:00 pm / Show: 8:00 pm
Brooklyn Bowl
Brooklyn, NY
$12
Tickets
This event is 21 and over
http://www.bowerypresents.com/event/187423/The Soul Rebels

The Soul Rebels formed when Lumar LeBlanc and Derrick Moss, originally members
of New Orleans’ iconic Dejean’s Young Olympia Brass Band, decided they wanted to
play the new, exciting music they were hearing on the radio while respecting the
tradition they loved. Both New Orleans natives, the pair was steeped in the
fundamentals of New Orleans jazz, but inevitably, contemporary styles of music
began to seep into their psyches. While LeBlanc attended the famed St. Augustine
High School, Moss went to Lil’ Wayne’s alma mater McMain High School, and
paraded alongside soon‐to‐be Cash Money Records CEO Ronald “Slim” Williams in
the school’s marching band. New sounds were all around and they found them as
exciting as the horn‐combo style featured in jazz funerals since the turn of the
Twentieth Century.
“We wanted to make our own sound without disrespecting the brass tradition,”
LeBlanc recalls, “so we knew we had to break away.” They found a stylistic middle
ground when they spun off and formed a band of young, like‐minded local players
from all over New Orleans. Graduates of university music programs throughout the
South, the band took the marching band format they had learned in school and
incorporated influences from outside the city as well as late‐breaking local styles –
R&B, funk and hip‐hop – especially through half‐sung, half‐rapped lyrics. “Most of
our originals have vocals,” says LeBlanc. “You wouldn’t have done that in a
traditional brass band.”
Soon, the Soul Rebels’ contagious originals and updated takes on standards won
them a loyal local audience. They began rocking some of New Orleans’ most beloved
live music venues. A chance gig opening for the Neville Brothers got them a real
start—and an official name. It was youngest brother Cyril Neville who first called
them “Soul Rebels,” a good name for a band that strived to incite positive change in
its treasured musical heritage.
Since those days, the band has settled on an eight‐piece lineup, building a career
around an eclectic live show that harnesses the power of horns and drums in the
party‐like atmosphere of a dance club. Their weekly show at Uptown New Orleans
spot Le Bon Temps Roulé has been known to descend into a sweaty shout‐along as
the band mixes up songs from its five studio albums with hits by Jay‐Z and OutKast.
While touring the U.S., the Soul Rebels have shared the stage with notable artists
from many corners of the pop and jazz worlds, including Arcade Fire, The Roots,
Bootsy Collins, Robert Plant & Jimmy Page, Counting Crows, Green Day, Drive By
Truckers, James Brown, Roy Hargrove, Allen Toussaint, Chuck Brown, Terence
Blanchard, The Gap Band, Better than Ezra and many more. Averaging around 250
shows per year, the Soul Rebels have brought the party to stages as far away as
South Africa and Europe, playing some of the world’s best‐known music events,
including, Umbria Jazz Fest, Antibes Jazz Festival, The Montreal Jazz festival,
Bonnaroo, the Wanee Festival and, of course, the New Orleans Jazz and Heritage
Festival.
of New Orleans’ iconic Dejean’s Young Olympia Brass Band, decided they wanted to
play the new, exciting music they were hearing on the radio while respecting the
tradition they loved. Both New Orleans natives, the pair was steeped in the
fundamentals of New Orleans jazz, but inevitably, contemporary styles of music
began to seep into their psyches. While LeBlanc attended the famed St. Augustine
High School, Moss went to Lil’ Wayne’s alma mater McMain High School, and
paraded alongside soon‐to‐be Cash Money Records CEO Ronald “Slim” Williams in
the school’s marching band. New sounds were all around and they found them as
exciting as the horn‐combo style featured in jazz funerals since the turn of the
Twentieth Century.
“We wanted to make our own sound without disrespecting the brass tradition,”
LeBlanc recalls, “so we knew we had to break away.” They found a stylistic middle
ground when they spun off and formed a band of young, like‐minded local players
from all over New Orleans. Graduates of university music programs throughout the
South, the band took the marching band format they had learned in school and
incorporated influences from outside the city as well as late‐breaking local styles –
R&B, funk and hip‐hop – especially through half‐sung, half‐rapped lyrics. “Most of
our originals have vocals,” says LeBlanc. “You wouldn’t have done that in a
traditional brass band.”
Soon, the Soul Rebels’ contagious originals and updated takes on standards won
them a loyal local audience. They began rocking some of New Orleans’ most beloved
live music venues. A chance gig opening for the Neville Brothers got them a real
start—and an official name. It was youngest brother Cyril Neville who first called
them “Soul Rebels,” a good name for a band that strived to incite positive change in
its treasured musical heritage.
Since those days, the band has settled on an eight‐piece lineup, building a career
around an eclectic live show that harnesses the power of horns and drums in the
party‐like atmosphere of a dance club. Their weekly show at Uptown New Orleans
spot Le Bon Temps Roulé has been known to descend into a sweaty shout‐along as
the band mixes up songs from its five studio albums with hits by Jay‐Z and OutKast.
While touring the U.S., the Soul Rebels have shared the stage with notable artists
from many corners of the pop and jazz worlds, including Arcade Fire, The Roots,
Bootsy Collins, Robert Plant & Jimmy Page, Counting Crows, Green Day, Drive By
Truckers, James Brown, Roy Hargrove, Allen Toussaint, Chuck Brown, Terence
Blanchard, The Gap Band, Better than Ezra and many more. Averaging around 250
shows per year, the Soul Rebels have brought the party to stages as far away as
South Africa and Europe, playing some of the world’s best‐known music events,
including, Umbria Jazz Fest, Antibes Jazz Festival, The Montreal Jazz festival,
Bonnaroo, the Wanee Festival and, of course, the New Orleans Jazz and Heritage
Festival.
The Slide Brothers
The Slide Brothers, standard bearers of the sacred steel tradition, will be releasing their first studio album on February 19th. The album, simply titled Robert Randolph Presents: The Slide Brothers, was catalyzed by Robert Randolph, who has revitalized the sacred steel tradition in the modern era, carrying the style born in The House of God Church more than 80 years ago to mainstream secular success before concert and festival audiences around the world.
The Slide Brothers' album includes 11 tracks and features some of the most dynamic electric slide guitar playing ever recorded. Inspired by Randolph to finally emerge beyond their respected positions within the sacred steel community, the Slide Brothers tackle rock, funk and even the deepest blues with a ferocity that will startle fans of Duane Allman, Derek Trucks and even Muddy Waters.
The Slide Brothers are Calvin Cooke, Chuck Campbell, Darick Campbell and Aubrey Ghent, each of whom was raised worshiping and performing in The Church of the Living God. They were an ad hoc family, traveling and learning from the other dominions in their communities in cities from Nashville to Chicago to Newark. Calvin Cooke was born into a musical family in Cleveland, Ohio in 1944 and would go on to become known among the ranks of Nashville's premier country steel guitarists as "the B.B. King of gospel steel guitar." Cooke is hailed today as the most influential living pedal steel guitar master within the Sacred Steel tradition.
The Slide Brothers' album includes 11 tracks and features some of the most dynamic electric slide guitar playing ever recorded. Inspired by Randolph to finally emerge beyond their respected positions within the sacred steel community, the Slide Brothers tackle rock, funk and even the deepest blues with a ferocity that will startle fans of Duane Allman, Derek Trucks and even Muddy Waters.
The Slide Brothers are Calvin Cooke, Chuck Campbell, Darick Campbell and Aubrey Ghent, each of whom was raised worshiping and performing in The Church of the Living God. They were an ad hoc family, traveling and learning from the other dominions in their communities in cities from Nashville to Chicago to Newark. Calvin Cooke was born into a musical family in Cleveland, Ohio in 1944 and would go on to become known among the ranks of Nashville's premier country steel guitarists as "the B.B. King of gospel steel guitar." Cooke is hailed today as the most influential living pedal steel guitar master within the Sacred Steel tradition.




