The Bowery Presents
The Breeders

The Breeders

Parquet Courts, Tweens

Mon, May 6, 2013

Doors: 8:00 pm / Show: 9:00 pm

Webster Hall

New York, NY

$30.00

Sold Out

This event is 18 and over

The Breeders
The Breeders
Kim Deal, Kelley Deal, Josephine Wiggs, and Jim Macpherson played their first show together on Friday June 19, 1992, in a snooker hall behind Warrington Rugby Club in the north of England, near Manchester. Two days later they supported Nirvana in Dublin and Belfast, and then played at Glastonbury. Back in the US, after playing 27 sold-out shows that fall, they made their way to San Francisco to record Last Splash.

Released August 30, 1993, on 4AD, reviewers described Last Splash as ”effervescent,” “blistering,” and “incoherent.” At its center is the infectiously appealing, instantly recognizable “Cannonball.” Propelled in part by the video directed by Kim Gordon and Spike Jonze, the song was voted Single of the Year by the NME. After more than two years on the road, they played their last show on September 5th, 1994, at Lollapalooza in Los Angeles.

In 2013 they will play together again for the first time.

In June they will perform Last Splash live at ATP, curated by Deerhunter, at Camber Sands in the UK. More dates to be announced.

4AD will release LSXX, a Deluxe Anniversary Edition of Last Splash, in April 2013.
Parquet Courts
Parquet Courts
No one can make an instant classic. Nothing is immediately legendary. People may try to get you to believe that something in the now is going to be around forever and ever, even though you and the person trying to persuade you otherwise both know how quickly our culture scans over every piece of content that arises for consumption and evaluation. Only time, and the reception to that content over time – years, really, not the weeks or months they'd like you to believe it might take – will allow for that work to enter the canon of the classic, of the legend.

Because of this, it is only fair to judge Parquet Courts in the now. Yet they stand at the foot of the canon, the light of recognition ready to shine on them. Their debut album Light Up Gold shot them within range, an early and lasting success of the current year, finding favor in just about every blog, radio station playlist, and periodical that matters, from Pitchfork to NPR to the New York Times and all points in between. Their new five-song EP, "Tally All The Things That You Broke," noses them even closer. Restless, wound up, and nerve-jangling, their music is proof that the indie rock of 2013 – the one everyone seems to want – is the same one that aligned outcasts and viewpoints way back in the '80s and '90s. And, as with any band worth carrying the mantle of an entire genre of music, they find ways to expand their sound in their own voice. But it's that particular voice, born in Texas and broken in New York City, that makes them who they are, and what they mean to you.

"Tally" is far more than a stopgap in between full-lengths; it's the sound of Parquet Courts stretching out. Opener "You've Got Me Wonderin' Now," with its melodic drive and persistent Flutophone running alongside the melody, balances the manic tendencies of "Descend (The Way)," which would have fit on Light Up Gold, and extended rager "The More It Works," which would fit in a live set between Tyvek and Eddy Current Suppression Ring. "Fall On Yr Face" presents a classic desert trawler, lopsided and tuneful, the sound of the end of a long day. But the day is just beginning for the protagonist of "He's Seein' Paths," junkyard drum loops and doorbell samples framing Andrew Savage's eight-minute stream-of-consciousness rap about the trials and tribulations of a marijuana delivery service representative, zipping around the city on his bike. Simultaneously the link between Parquet Courts and Ween, or Parquet Courts and Beck, it frames the band coming from a new place, and is a post-millenial NYC anthem, quintessential sounds for anyone who's ever waited in anticipation of dialing that number, or anyone who's put on their game face and rode from point A to point B in the snarl of vicious traffic.

Parquet Courts remain Austin Brown, A. Savage, Sean Yeaton and M. Savage. They sound like all the bands you think they sound like. They've toured everywhere this year and will continue to do so.
Tweens
Tweens
Mean Tween.
Too old for toys//too young for boys.
Venue Information:
Webster Hall
125 East 11th Street
New York, NY, 10003
http://www.websterhall.com/