The Bowery Presents
Nicki Bluhm & The Gramblers

Nicki Bluhm & The Gramblers

David Wax Museum

Thu, June 6, 2013

Doors: 6:00 pm / Show: 8:00 pm

Brooklyn Bowl

Brooklyn, NY

$10 advance / $12 day of show

Cancelled

This event is 21 and over

This show has been cancelled. Refunds are available at the point of purchase.

Nicki Bluhm & The Gramblers
Nicki Bluhm & The Gramblers
Nicki Bluhm and the Gramblers made a needle’s-eye leap onto the national music circuit in 2012, bringing with them a refreshing sound, spirited stage show and wellspring of good vibes, along with a turntable and milk crates stocked with their favorite vintage vinyl for backstage sustenance.

Now, the San Francisco-based band and its striking front woman with a girl-next-door demeanor step out with Nicki Bluhm and the Gramblers, a luminous, heartfelt patchwork of California folk-rock, brisk Americana and show-stopping soul, punctuated with fresh four-part harmonies, crisp rock guitar and Nicki’s soaring, nuanced vocals that some critics say remind them of Linda Ronstadt. The first record under the banner of the full band, Nicki Bluhm and the Gramblers is very much a family album, featuring 11 new songs penned by the band members, arranged and produced by Nicki’s husband and the band’s musical director, Tim Bluhm, and recorded at the Bluhm’s Mission Bells studio in San Francisco.

The lead single “Little Too Late” kicks off the proceedings with a fun and funky punch of soulful rock and an anthemic quality to the lyrics that quickly made the song a fan favorite at live shows in the months prior to the album’s release. Also released in advance of the album, “Ravenous” marks a departure for the band as Nicki flirts with her dark side, urged on by haunting echoes of classic Fleetwood Mac. Tim and Nicki’s great love of country music and Americana storytelling takes center stage in the sparkling “Till I’m Blue”, an enchanting ode to lasting love, as well as in “Deep Water”, Nicki’s endearing telling of life lessons learned. Bluhm family friend Steve Poltz, best known for his collaborations with the singer Jewel, contributed the coaxing soul waltz “Check Your Head”.

There is an evergreen quality to the band’s music that resonates with music lovers across ages and time zones, fans who are touched by the band’s natural, bright-eyed charm and timeless expression of life and love. “We make music that generations of friends and families can share,” Nicki offers with a quiet confidence. “For me, there is a tenderness, a humanness. It’s about getting down to the basic level of bringing joy. We’re a fun, honest group of people who love traveling and seeing the country. I’m with my husband and my best friends, we’re so lucky to be doing this, and we’re so grateful for those coming out to visit with us.”

With such an earnest appreciation for every moment of the grueling work and endless hours required for touring “uncharted waters,” as she puts it, one can imagine Nicki almost pinching herself to prove that this really is her life -- and rightfully so. She never saw any of this coming.

Tim and Nicki’s paths first crossed at a house party, when someone passed a guitar to Nicki. Though she’d never before sung in front of a crowd, she took a chance and belted out an impromptu blues number, immediately catching Tim’s ear. It was a spark-plug moment that evolved into the two playing music together, followed by Tim mentoring Nicki as she developed into a career singer/songwriter. As love blossomed and marriage ensued, the couple created and released Nicki’s debut solo album, Toby’s Song (2008).

The formation of Nicki Bluhm and the Gramblers happened in similar organic fashion, when Nicki recruited her childhood friend, Deren Ney, to play lead guitar in her new band. Dave Mulligan accepted an invitation from Nicki to join the Gramblers on guitar and vocals while out hiking with the Bluhms one day. Bass player Steve Adams and drummer Mike Curry each got the call from the Bluhms and agreed to double-time it with their existing musical commitments. When not working with his own band, the Mother Hips, Tim takes his place on guitar, keyboard and vocals. Nicki’s second album, Driftwood (2011), earned numerous positive reviews and put Nicki and the Gramblers in front of a wider swath of show goers across the western U.S.

It was during this time that the band’s “Van Sessions” video for Hall & Oates’ “I Can’t Go For That” went viral and introduced Nicki and band to the world of their endearing, stripped down versions of classic songs as well as to an existing catalog of original tracks from Nicki’s two previous solo albums. They went back on the road and quickly developed into a tight knit, six-piece headlining act, logging over 200 dates in 2012. In 2013, Nicki and the Gramblers’ touring schedule has included auspicious sets at Bonnaroo, Newport Folk Festival, Hangout Music Festival and Mountain Jam, as well as being featured on network television by veteran journalist Anthony Mason for “CBS This Morning”.

Nicki Bluhm and the Gramblers was released August 27 on the Bluhm’s own label, Little Sur Records.
David Wax Museum
David Wax Museum
When future music historians look back at the strong currents circulating between the Americas in the 21st century, they will find Los Lobos, Calexico, and a charismatic, lanky Missourian singing tight harmony with a Southern belle rattling the jawbone of a donkey. David Wax and Suz Slezak form the artistic core of the David Wax Museum, and together they fuse traditional Mexican folk with American roots and indie rock to create a Mexo-Americana aesthetic. Combining Latin rhythms, infectious melodies, and call-and-response hollering, DWM was hailed by TIME for its “virtuosic musical skill and virtuous harmonies” and has built a reputation among concertgoers all over the U.S, Canada, Europe and China for “kicking up a cloud of excitement with their high-energy border-crossing sensibility” (The New Yorker). With the release of Knock Knock Get Up (September 2012), David Wax Museum has reached a level of cross-cultural integration and musical fluency that allows them to speak electrifying and heartfelt poetry with a tongue that is wholly their own.

Knock Knock Get Up is a fiercely original, rhythmically undeniable love letter to the Museum’s growing global audience. It’s peppered with field recordings and natural sounds from the city of Santiago, Tuxtla in the Mexican state of Veracruz. From deep in sun-drenched southern Mexico where most of the album’s songs were conceived, the earliest version of Knock Knock Get Up traveled all the way to the frozen winter landscape of the Great North Sound Society in southern Maine. The album is the band’s second made in collaboration with producer Sam Kassirer (Josh Ritter), and was recorded in a month-long marathon at Kassirer’s rustic farmhouse studio in January 2012. The Wax Museum’s fourth LP is a mature and playful evolution of the band’s sound: classical Mexican strumming patterns are translated onto electric guitars sporting halos of fuzz; the leona, a deep-voiced traditional Mexican guitar plays licks like an old-time, stand-up bass; and the track “Vivian” was first written as a bluegrass hoedown before it grew a Caribbean inspired accordion hook and a Brazilian drum part in the studio. With an expanded musical palate of autoharps, organs and mariachi trumpet loops, Knock Knock Get Up is gritty, intoxicating and vibrantly lush.

David Wax Museum’s eclectic sound has deep roots in Mexican and American soil. On several trips south of the border, including a yearlong Harvard fellowship, David Wax has immersed himself in the country’s rich traditional music culture, son mexicano, learning from the form’s living masters. Suz Slezak was homeschooled by her father on a small farm in rural Virginia, and reared on music – old time, Irish, classical, and folk. The two met in 2007 and began blending their unique musical perspectives to form the band.

The bonfire of success David Wax Museum has kindled with its innovative, grass-roots approach is currently roaring. After years busking at house concerts and touring with The Avett Brothers, the Carolina Chocolate Drops, and the Old 97s, DWM picked up the 2010 Boston Music Awards Americana Artist of the Year. In 2011 they released their second album, the acclaimed Everything Is Saved. The album’s single Born with a Broken Heart won the BMA’s Song of the Year. But critical mass came with the band’s breakout performance at the 2010 Newport Folk Festival, an opportunity won by DWM fans in an online competition. NPR called their concert at Newport a highlight of the entire weekend, Bob Boilen of All Songs Considered filed their sound under “pure, irresistible joy”, and the Museum was invited back to Newport to play the 2011 main stage. With an illustration in The New Yorker, #8 on Paste Magazine’s list of the Best Live Acts of 2011, and a nod from TIME magazine as one of the top ten acts of 2011’s South by Southwest, David Wax Museum has become one of the hottest new indie bands around.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/