The Bowery Presents

The Bowery Presents upcoming shows

Vampire Weekend
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In the fall of 2005, Ezra Koenig was wondering about the origins of preppiness. What was khaki and where had it come from He had spent the previous summer traveling through India and touring across America as a member of The Dirty Projectors. That same summer, Rostam Batmanglij interned at the Oxford English Dictionary and managed to obtain the key to the harpsichord room at Columbia University. He studied film scoring downtown and rented an apartment in Morningside Heights. At Columbia, Ezra majored in English and Rostam majored in Music. As their time at school was coming to an end, they formed Vampire Weekend in the spring of 2006 with drummer Christopher Tomson and bassist Chris Baio.

With a distinct vibe in mind, they began recording and performing around New York City. Drawing on their diverse backgrounds and interests, they began experimenting and exploring the intersections of the things they loved: African guitar music, the Western classical canon, hazy memories of summers in Cape Cod, winters in upper Manhattan, reggaeton and everything else that would become a part of Vampire Weekend.

Their first album came together over the course of 18 months, beginning in an undersized practice room on the Columbia University campus and ending in a newly christened storage space-cum-studio called the Treefort in DUMBO, Brooklyn. During this time, the band went from playing at the literary houses of their Alma Mater to selling out shows in New York at The Bowery Ballroom and the Music Hall of Williamsburg, and opening for Animal Collective at Webster Hall.

In the spring of 2007, Chris Baio began booking the band's first national tour as he finished a degree in Russian Regional Studies (the remaining members of the band graduated in May of 2006). Ezra Koenig was preparing his eighth graders in Bed-Stuy for the city-wide English exams. Chris Tomson was ending his nine-month stay on a windowless fourth floor of a major label archive in midtown Manhattan. Rostam Batmanglij was wrapping up what will likely be his last film score for the foreseeable future. The band went in four ways on a 2004 Honda Odyssey. When they returned from their July tour they had signed to XL Recordings and seen America from coast to coast.

Their self-titled debut was released on January 29, 2008 to worldwide critical acclaim. They have graced magazine covers, played numerous sold-out shows across the world, performed on Saturday Night Live, The Late Show With David Letterman, Jimmy Kimmel Live!, and Late Night With Conan O'Brien. They are one of the biggest success stories of 2008.
Beach House
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Beach House, Alex Scally and Victoria Legrand, have been playing music forever, each since childhood in Baltimore, Philadelphia, and France . Beach House formed in the summer, it was very late at night and there was a lot of heat. Their songs start simple and grow organically like tiny skeletons that multiply layers of necessary flesh. In the Beach House world, outside influences have been purely atmospheric. There are many groups and artists that have entranced the duo: Zombies, Brian Wilson, Neil Young, Big Star, Chris Bell, the list goes on; however, there isn't one particular group or artist that Beach House admires more than another. By not forcing the way their songs come to fruition and by allowing all of their ideas to exist and play freely, an otherworldly space is created: organs, slide guitars, reverb, harmony, layers, accidents, echoes and melodies stand by themselves like the ones in everyone's childhood memories.
Dum Dum Girls
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Led by Dee Dee, Dum Dum Girls churn out pop music that adheres to her self-proclaimed M.O.: “blissed-out buzz saw.” Dee Dee formed DDG in late 2008 as a solo project—the name a nod to both The Vaselines’ album, Dum-Dum, and the Iggy Pop song “Dum Dum Boys”— and released a home-recorded CDR on her label Zoo Music followed by a 7" on HoZac and a 12" EP on Captured Tracks.

When Dee Dee needed a band to take her songs out of the bedroom, she looked to her friends: Jules, a San Diego-based furniture designer; Bambi, a non-profit worker in Austin; and Brooklynite Frankie Rose, a former Vivian Girl and Crystal Stilt, currently starting her own project as well. When the other three met for the first time a week before CMJ 2009, it was an instant girl gang.

Dee Dee wrote and recorded the songs that became I Will Be over the first eight months of 2009, and she asked a few others to contribute. Yeah Yeah Yeahs guitarist Nick Zinner plays on “Yours Alone.” Crocodiles’ Brandon Welchez sings and plays guitar on the duet “Blank Girl.” And Los Angeles musician Andrew Miller contributes guitars to a number of tracks.

When it came time to choose someone to gently finesse I Will Be, the name Richard Gottehrer came up on Dee Dee’s wish list. Responsible for writing such seminal songs as “My Boyfriend’s Back,” and “I Want Candy,” he also produced his own short-lived band The Strangeloves, as well as The Voidoids, Blondie, The Go-Gos, and more recently, The Raveonettes. Marvels Dee Dee, “I gave him all the rough tracks and he produced them, as I had a lot of digital effects acting as sort of placeholders. I’m not exactly sure what he did, but it’s a world of difference. The songs sound warm, and they kind of sparkle.”

I Will Be runs just under thirty minutes with eleven songs; a short tribute to love, loss, fear, fun, and the classic pop form of the ‘60s girl groups and early punk rockers. Explaining the album’s dark-and-sunny feel, Dee Dee says, “There’s an overdramatic tone, much like a teenager’s world, but applied to the experience of getting older.” No track better exemplifies that sentiment than the somnolent “Rest of Our Lives,” a lullaby about marriage that captures, she says, “that feeling when you’re 16 and you think you’re going to be with your boyfriend forever. And that you’d just die if you weren’t. Except it’s about my husband.”

On the other end of the spectrum, “Bhang Bhang, I’m a Burnout” (the curious spelling being slang for marijuana) spends roughly two-and-a-half minutes musing on the virtues of psychedelics. And “Lines Her Eyes” touches on petty girl-on-girl competition, while “Jail La La” updates the Bobby Fuller Four’s “I Fought the Law” with a reverb-laden sing-along.

What’s with the bipolar songs? “I tend to be an introvert. So there’s a lot of time for weird thoughts to develop in my head before I put them down on paper,” says Dee Dee. “And it’s really bizarre living in Southern California. It’s that total stereotype of being super-laidback, this ‘everything’s perfect’ vibe. But you’re miserable in the sun because you’re stuck. Like, it’s so perfect that it’s overwhelming and depressing. That’s sorta inspiring.”
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