We encourage everyone to come early and enjoy the beach. Governors Island ferries will run from the Battery Maritime Building until 5:30 PM ONLY. If you are on the island early, please make sure to get yourself to the Beach venue by 5:30 PM where concert wristbands will be available. Doors will open at 6:00 PM.
Dedicated concert ferries will depart starting at 7:15 PM. Please enter the ferry queue at the NORTH end of the Battery Maritime Building – 10 South Street. While there will be no ferries departing between 6 PM and 7:15 PM, concert wristbands will be handed out, subject to availability, in the ferry queue.
An elusive new project from composer Alan Palomo, Neon Indian delivers equal parts synthetic nostalgia, dreampop lullabies, and grinding guitar noise to create something eerier than the sum of its parts.
Forged after a hazy winter gathering in Texas, this initial batch of tracks were the result of field recordings, record samples, a collection of bizarre synth sounds. Orbiting around the themes of drug induced heartbreak, weary afternoons, and lost chances, this music provides a lush soundtrack to the deadbeat exploits of teenage ennui. Neon Indian’s bedroom ballads have already forged the upcoming Psychic Chasms, set for release this summer. They’ve been compared to New Order, Future Bible Heroes, and most recently said to sound like a saw-wave cutting a Doobie Brother’s song in half. Expect much racket to be had from this fresh faced crew.
Prefuse 73 is the alias of Scott Herren, an experimental hip-hop producer whose material often features MCs buried in the mix to become more a part of the sonic texture than a focal point. Herren began his career working in commercial studios in Atlanta, but later went on to more experimental work. His first record under the Prefuse name, Vocal Studies + Uprock Narratives, not only buried but cut up and spliced raps as well as allowing some more straightforward vocals from several MCs. - Geoff Orens, All Music Guide
California native Ramona Gonzalez first began her transcendent minimalist dance-pop escapades in the privacy of her own home in Los Angeles after performing with bands in both the Bay Area and the L.A. area.
With the aid of her multitrack cassette recorder and whatever keyboards, drum machines, and other instruments that were available to her, she very quickly developed her own unique sound and began performing live in the L.A. area under the moniker Nite Jewel.
Later teaming up with Emily Jane Kuntz and Corey Lee Granet, the Nite Jewel project became a three piece band, touring alongside the likes of Deerhunter, Cold Cave, Neon Indian, Little Dragon, Glass Candy, and Telepathe. The Nite Jewel sound has been likened to that of a warped, lo-fi version of Late-80’s Freestyle Electro sensation Debbie Deb and has also found appeal among not just the ‘indie rock’ & ‘experimental’ crowd but also among avid listeners of hip hop, funk, disco, & soul. While very fond of these aforementioned genres and artists, Nite Jewel gathers much of her inspiration from the likes of Los Angeles Free Music Society’s avant garde experimentalist Tom Recchion, obscure UK hari krishna new age electro-acoustic duo Woo, and the sublime ambient electronic music of groups like Germany’s Cluster and Italy’s Sensations Fix. Nite Jewel never hesitates, however, to cite 90’s R&B pop groups such as TLC & SWV as influences who left an indelible mark on her music sensibilities as a teenager.