Kurt Vile and the Violators
Widowspeak, The Young
Fri, November 11, 2011
Doors: 6:00 pm / Show: 7:00 pm
Webster Hall
New York, NY
$17 advance / $20 day of show
Tickets
This event is 18 and over
http://www.bowerypresents.com/event/59493/Kurt Vile and the Violators

Kurt Vile (previously of the War on Drugs, also of Kurt Vile & the Violators) is a guy from Philadelphia who makes fucked-up, delayed, hazy, psychedelic “bedroom” pop music in which you might recognize early Tyrannosaurus Rex-, Devendra Banhart- and Ariel Pink-like sounds.
Widowspeak

Widowspeak is an American band comprised of Molly Hamilton and Robert Earl Thomas, known for its dreamy, western-tinged take on rock and roll. The outfit formed in 2010 and released two singles in 2011 (Harsh Realm,
Gun Shy) followed by a debut album (self-titled) in the summer of that year, all on Brooklyn label Captured Tracks. Widowspeak was praised for its reverential spaciousness, Hamilton's haunting voice, and Thomas's spindly, Morricone-esque guitar lines; both drawing on 1950's pop ballads and 1970's psych, creating languid call-and response melodies. The band then toured extensively, wearing in their warm, nostalgic sound.
Widowspeak began to write what would become their second record, Almanac, at the start of 2012, as popular fears of the apocalypse became imminently close to realization. Though not totally convinced of catastrophic disaster coinciding with the year's conclusion, Hamilton nevertheless began writing lyrics seeped in doomsday imagery, darkness and dread, inspired by the idea of such a universal experience of the end. The two started making demos in their practice space. Thomas shaped the ideas into songs, experimenting with denser arrangements and grander gestures. Black and white became Kodachrome, subdued became saturated. Widowspeak explored Appalachian melodies and desert rhythms, Saharan to the Southwest, as well as incorporated acoustic instruments and slide guitar, stemming from a shared love of Neil Young.
As the compositions were brought to life, they became something new, something unlike the fatalistic seeds from whence they'd grown. These songs were no longer concerned with the end of the Earth, but with the life and death of seasons, youth, love, and the cyclical nature of all
things. The band chose the name 'Almanac' in tribute to those annual tomes which have eternally provided predictions of weather patterns, lunar and solar movement, and astronomical phenomena. But the songs are also about the changing times we find ourselves in: "the good old days" at odds with the hyperactive present, and the sense of loss, but also adventure, which that provides.
The album was recorded by Kevin McMahon (Swans, Real Estate) in a hundred year old barn in the Hudson River Valley of New York State during the transition from summer to fall. Producing with McMahon, Thomas expanded on the band's demos, crafting layers of guitar, Rhodes piano, organ and harmonium.
Almanac will be released by Captured Tracks on January 22, 2013.
If Widowspeak's first record serves as a collection of postcards, sent from destinations traveled to in that first transformative year, then their second is the guidebook written after they'd found their sonic home and inhabited
it fully.
Gun Shy) followed by a debut album (self-titled) in the summer of that year, all on Brooklyn label Captured Tracks. Widowspeak was praised for its reverential spaciousness, Hamilton's haunting voice, and Thomas's spindly, Morricone-esque guitar lines; both drawing on 1950's pop ballads and 1970's psych, creating languid call-and response melodies. The band then toured extensively, wearing in their warm, nostalgic sound.
Widowspeak began to write what would become their second record, Almanac, at the start of 2012, as popular fears of the apocalypse became imminently close to realization. Though not totally convinced of catastrophic disaster coinciding with the year's conclusion, Hamilton nevertheless began writing lyrics seeped in doomsday imagery, darkness and dread, inspired by the idea of such a universal experience of the end. The two started making demos in their practice space. Thomas shaped the ideas into songs, experimenting with denser arrangements and grander gestures. Black and white became Kodachrome, subdued became saturated. Widowspeak explored Appalachian melodies and desert rhythms, Saharan to the Southwest, as well as incorporated acoustic instruments and slide guitar, stemming from a shared love of Neil Young.
As the compositions were brought to life, they became something new, something unlike the fatalistic seeds from whence they'd grown. These songs were no longer concerned with the end of the Earth, but with the life and death of seasons, youth, love, and the cyclical nature of all
things. The band chose the name 'Almanac' in tribute to those annual tomes which have eternally provided predictions of weather patterns, lunar and solar movement, and astronomical phenomena. But the songs are also about the changing times we find ourselves in: "the good old days" at odds with the hyperactive present, and the sense of loss, but also adventure, which that provides.
The album was recorded by Kevin McMahon (Swans, Real Estate) in a hundred year old barn in the Hudson River Valley of New York State during the transition from summer to fall. Producing with McMahon, Thomas expanded on the band's demos, crafting layers of guitar, Rhodes piano, organ and harmonium.
Almanac will be released by Captured Tracks on January 22, 2013.
If Widowspeak's first record serves as a collection of postcards, sent from destinations traveled to in that first transformative year, then their second is the guidebook written after they'd found their sonic home and inhabited
it fully.
The Young
Formed in 2005 by vocalist/guitarist Hans Zimmerman with the rest of the lineup in place by ’07, The Young’s early singles for Chicago’s Criminal IQ and Austin’s Super Secret were followed by an appearance on Matador’s ‘Casual Victim Pile’ compilation LP/CD. Though that modest output was hardly without merit, the subsequent full-length album on NYC’s Mexican Summer, ‘Voyagers Of Legend’ was nothing less than the underground rock revelation of 2010. “There hasn’t been a full-length this spot-on with mood and 1%’er hooks in years,” declared our good friend Andrew Earles, while the folks at 29-95.com prefered to drop the “P” word, insisting ‘Voyagers’ was “an implacable psychedelic rock journey.. almost cruelly evocative.” Those fortunate enough to have seen their recent shows sharing bills with the likes of Sic Alps and Lower Dens, know all too well their recorded works to date are only skimming the surface of what these guys are capable of. And now that we’ve put horrible, unfair pressure on them to produce, we’ll simply announce The Young have signed to Matador and shall begin recording their second album later this summer.




